On April 28th The iPhoneographer’s Network sent out an email altering users it would be closing up shop.

Run by the founders of iPhoneography.com and LifeInLoFi.com found the failed social experiment too costly to maintain. Ning, the service provider, hacked up prices “which is all but 3x the original sign-up costs.”

The social network was a brilliant idea in the beginning, the word of mouth and enthusiasm were all there, but a lack of user participation could have played a roll its demise.  With so many social media outlets it may have been difficult for users to participate in the way the network was intended.  We’ll really never know.

R.I.P TiPN August 2012 – April 2013

Don’t fret there’s an TiPN alternative:

April was yet again another excellent month for the medium. Many new comers come to play along side veterans in the game showcasing their work in our Flickr Group. I am continually in awe by the constant work presented by you the artist and photographer.

Our lead image is by the magnificent and inspirational artist, Veronica aka Tori, with a beaut of an image entitled Pain || Pleasure. The piece is a majestic one to behold, from the lighting to the shadows to the subject, prop, and setting, it all just works so well. I can’t get enought of Tori’s brilliance!

Other works include beautiful landscapes, street photography, portraits, abstracts and much more by some of the most brilliant artists and mobile photographers. They include: Lee Thatcher, Brad P., 10_ya, Urban Muser, Cedric Blanchon, Susan Tuttle, Ginger Lucero and many many more!

Clicking on an image will redirect you to the artist’s Flickr photostream.

I hope you enjoy this collection and find some inspiration here.

Thanks to all who submitted to the iPhoneogenic Flickr Group. You made this month’s selection process very tough. For your chance to be featured don’t forget to join and contribute to the group. Please keep them coming in!

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Pain || Pleasure by Tori

untilted by Lee Thatcher

Walk through Westlake, Chasing Light by Brad P.

28#2013/365 IPHONE by Unaisa Momoitio

The Scream by Street Dog

hastings beach by Louise Fryer

Look for the next shot by 10_ya

White Gloves by caroline2645

Escape Artist by Urban Muser

We are human by Cedric Blanchon

Heading into the Surf by Petyr Campos

Wild Horses by Paul Moore

untitled by column1

patience is the art of hoping by Janine Graf

birth by Susan Tuttle

Yarn-bombed basswood bud by Mark Whitcombe

Find your happy place. Even on days when it seems impossible. by Cheryl Tarrant

The Morning Stroll by Tracy J. Thomas

Alcatraz Exercise Yard by Andrew Hollingsworth

Abstract 4.29.13 by Poetic Medium

untitled by Mariko Klug

Pillow Fight London 2013 by Robin Pope

UnDefined by VeronicaMo

A Moment in Time by Ginger Lucero

The Princess and The Prince by Tuana Aziz

the wall by Thomas Kakareko

Anxiety by Nicki Fitz-Gerald

Flora by Sarah Jarrett

2 by Amo Passicos

untitled by xxfromneptune

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Be social and share these amazing works with your friends by using our convenient social media buttons below!

A number of months ago I was approached to do some guest writing for a new and yet to be released iPad magazine. Well that magazine is now live in the Apple Newsstand.

Although it’s been live for only two days The Patterson Group, Inc has seen a large number of downloads and a huge level of interest from the street photography community.  Best of all it was featured in the What’s New section of the Newsstand on day one.

Initially SPM will be published every two months.  Once they get their publishing chops down, SPM plans to publish monthly.

The single issue price is $4.99 US and the subscription price is only $1.99.  During the launch period the first issue is free when you subscribe, so there’s no risk if you want to give it a try.

Each issue will include an interview with at least one featured photographer with samples of their work.  SPM will also include a number of how to articles that will be of interest to photographers of all levels.

The first issue features London based urban photographer, Ronya Galka,  don’t miss it!

For those seeking to create more compelling image, SPM has a feature article about using an ancient composition technique and shows how the masters have used it over the years.

Tristan Jud, a pro shooter and instructor from Perth, Australia shares his street photography quick tips and Edi Caves a Mobile Photography enthusiast has an excellent guide to using the iPhone on the streets.

Although SPM’s focus is on the art, new gear is always of interest to most of us.  In this issue Peter Adams does a thorough review of the new Sony RX1 full-frame mirrorless camera.

The iPad magazine format gives SPM the ability to stream video and audio along with text and images.  It enables the artists to tell their stories and share their techniques in a way that printed magazines can’t.  The magazine’s objective is to take full advantage of this new medium to help you take your street photography to the next level.

Bob Patterson the Editor and Chief of Street Photography Magazine has graciously provided iPh0 with instructions and a universal code for everyone with an iPad/iPad Mini to download the first TWO issues of the magazine for FREE!

The basic app is free to download.  To get it, open the link below on your iPad and click the download button.

Once the app is downloaded on your iPad you need to subscribe to get the issue.  Here’s how to get it:

1. Navigate to the Newsstand on your iPad
2. Open the magazine in the Newsstand
3. Click the yellow Subscribe button in the upper right hand corner of the page.
4. When the box opens you’ll see an option that says “Current Subscribers.
5. Next tap Current Subscribers and a box will open.
6. Type this code in the white box: “spmfriend” (without the quotes) and click OK.
7. After a few seconds you’ll see a small button under the magazine icon that says “Download.”  Click it and the issue will download (it’s about 23MB).
8. When its finished click the magazine icon to open it.  Note, you must be online to stream video and audio.

That’s it.

The directions probably look a little complex, but it’s really very easy.  It took a lot longer to type them than it is to sign up.  Enjoy on behalf Street Photography Magazine and iPh0!

Let us know what you think below.

Just 24 hours ago, April 1st, 2013, Tinrocket announced on their blog that Percolator 2.3 was submitted to the App Store on Thursday, March 28th promising to have everything that was in the unreleased 2.2 version, plus some new concoctions. It’s been awhile since we’ve seen an update to the popular mobile artistry app Percolator. The new features look and sound promising. Let’s just hope this isn’t an April fools joke!

Here’s a complete list of what’s new to version 2.3:

Percolating

• A new Brew: Percolator boldly enters the 1960s with “Tripstamatic!”
• A new Brew: Percolator gets wobbly with “Charmed” circles!
• A new Serve Tone: “Flash Burn”—A high contrast vignette
• Even smaller circles with the new Tiny Circles Grind Effect
• A new Grind Effect: “Woodblock”—Converts your photo to 4 colors before Percolating for a very bold look!

Export & Import

• Example images make great starting points for your own percs!
• Maximum ‘Save To Photos’ size is now 3584 pixels! (Maximum export size for iPhone 3GS, iPod touch 4G, and iPad 1 is 2048 pixels.)
• Customizable image export settings
• Send to Instagram with the option to Crop
• Send to a Postcard with Sincerely!
• Send your Percs to other photo apps or Copy to the Clipboard
• Import via Paste and from other photo app’s sharing features

General

• Support for the 4 inch Retina display
• Retina support for iPad 3
• New UI for the Import and Export menus—In addition to the sleek new look, I now have plenty of room to keep adding features.
• Many tiny improvements that you may not notice, but make Percolator even more awesome.

See more examples and read the entire article here.

March has brought a flurry of fabulous mobile photography and mobile artistry to the interwebs and these are only a few shared by the most amazing talents around. This month’s lead image is by the overall winner of the Mobile Photography Awards, Sarah Jarrett with her piece entitled Spring. How appropriately named as the month of March ushered in the season known as Spring.  Jarrett’s piece sports a portrait or a woman and a bouquet of spring flowers as a head dress. It’s playful and elegant at the same time as well as thoughtful and imaginative. iPh0 can’t get enough of Jarrett’s work!

Other fantastic work includes several macro photographs, street photography, portraits and much more by some of the most brilliant artists and mobile photographers. They included: Clay Benskin, Urban Muser, Thomas Kakareko, Melissa Vincent, Lynette Jackson, Liz Grilli and many many more!

Clicking on an image will redirect you to the artist’s Flickr photostream.

I hope you enjoy this collection and find some inspiration here.

Thanks to all who submitted to the iPhoneogenic Flickr Group. You made this month’s selection process very tough. For your chance to be featured don’t forget to join and contribute to the group. Please keep them coming in!

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Spring by Sarah Jarrett

Untitled by Clay Benskin

Snow Fence by Shane Martin

Anemone by MomentsForZen

It’s out there. by Urban Muser

Verdant by Melissa Camille

spring has sprung by Janine Graf

untitled by Aylin

At the lake by Damian Nowosadzki

A big step forward by Thomas Kakareko

Iceland’s parking lot by Pat Kuleta

The Hand by Laura Peischl

Face Rock State Park by Cecily Mariece Caceu

Indiana Jones lit dans le métro by Marie sanchez

Slightly divided by broo_am

Byzantine Girl by Benamon Tame

Snowflake on red leaf by Melissa Vincent

My First HipstAdventure by Bryan Doane

jaune ollo by Magikphil

IG_130228_01 by Lynette Jackson

These Birds Are Real by Lea Zimany

witch hunt series by Liz Grilli

Bokehlicious by Dirk Dallas

Jumping the Puddle by Jon Yager

plopplop by Chris Taki

Tasha 3.0 by Michael Hill

untitled by Gianluca Ricoveri

“The Art of Waiting” Varanasi, India. by Renzo Grande (AliveinNYC)

Ice berry by Doris5953

untitled by Roni Bar

Oceantop. by Andy Royston

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Be social and share these amazing works with your friends by using our convenient social media buttons below!

For the geometrically obsessed, design mobile artistry with Deco Sketch Pro! (App Store: Free through the weekend!)

Deco Sketch is a universal photo editing app that boost your photos to make detailed masterpieces featuring geometric effects or simply start a new design from scratch. Deco Sketch is equipped with 10 different brush types in 130 variations. All there to help you create original and modern geometric art.

   

The user interface works in harmony in that the flow, opacity, size, angle, and position of the drawn strokes are determined by simple finger swipes and taps. Features such as zoom and pan, undo and redo help achieve exact precision with detailed placements. Users will be happy to know the app produces high-resolution output with capabilities up to 8 megapixels or standard iPhone 5 camera resolution.

With a little exploration you’ll find Deco Sketch easy to use. You don’t have to be a professional to dream up a beautifully design work of art.

UPDATED FEATURES:
- 2 new brushes with over 26 styles
- 14 new presets for existing brushes
- Eyedropper tool to create custom color palettes from photos
- Improved UI with advanced color options one tap away
- 10 unique brushes with 130 variations and 15 customizable attributes

Jardin has accomplished many accolades in her sort time as a mobile artist/photographer. Most recently named runner up in the Mobile Photography Awards and piling up several honorable mentions in different categories for the MPAs.

iPh0 is honored to have Ali share a few thoughts and work here in an exclusive interview and bonus workflow.

The Visitor

EC: Tell me about yourself? Where are you from?
AJ: I am from Northern Mississippi, but moved to California to work in Yosemite National Park a few months after I graduated from college. I have been living on the West coast ever since. Currently I live in Sonoma County with my husband who makes delicious pinot noir and chardonnay wines and my two kids, Gabe, who is a tennis player and Pippin, who is a gymnast.

Linear Thinking

EC: How did you get into mobile photography/iPhoneography?

AJ: I downloaded Instagram on November 8, 2010 a couple of days after I got my first iPhone. I have always taken photos, and Instagram was a fun platform for all of those unshared images. My sister, Melissa Vincent joined and we had fun communicating through the app and trying to figure it all out. At first, I was mainly taking photos with my point and shoot instead of my iPhone, but soon found out that it was much easier just to shoot with my iPhone and do away with all of the work of transferring images from one place to another. Now I never take out my dusty little camera. The ease and convenience were positive attributes of iPhoneography, but what hooked me was the fact that it was unchartered territory. People were (and are) sort of up in arms about the mobile photography trend, saying that you couldn’t create anything worth anything with an iPhone. But I think the community has proved all of the nay-sayers wrong.

Summer in Mississippi

EC: What does mobile photography/iPhoneography mean to you?

AJ: iPhoneography is an adventure for me. A path I haven’t yet taken, the excitement of what may lay around the bend. It is limitless, with the tools to create anything I dream up. It is a starting point for who knows what.

Thoughts Fly

EC: Can you recall the first iPhoto you took that you, yourself, were blown away by and made you purse iPhoneography/mobile photography more passionately?

AJ: Ha ha! I think I sort of have that feeling with everything I finish, even though I may look back at the image a few months later and cringe. I think we artists have to maintain a pretty good ego and confidence toward our work or we’d never finish anything! I do remember my first image that went to the popular page (now Explore) of Instagram. That was a pretty awesome thing. Looking back on the image, I like the raw image, but am not in love with the crunchy HDR style that I edited the photo in.

golden

EC: I love the surreal beauty in your work. Has this always been apart of your process in your journey through mobile artistry?

AJ: Thanks, Edi. I have always been drawn to the surreal, it’s the way I see the world. I remember buying my first oil paints at around 13-14 years old and trying to copy M.C. Escher drawings. I try to tell a story in my images, but intentionally leave out some important parts so the viewer can interpret what is happening for themselves. Like those fun children’s books where at the end of a chapter choices are presented to the reader with each choice leading to a different ending.

The Leap

EC: I’m often surprised to see so many quality images you pump out in a week. Can you talk a little bit about your source material. Is it all original work or are some element in your images from composite apps like Filter Mania?

AJ: I’m pretty sure I have used every app in the app store at some point. Experimentation is key to figuring out what kind of artist you are. There are a few apps I use, mainly Wow FX and Lens Light. When the iPhone can capture the moon and stars, I will be able to gently part with these apps as well.

Spotlights

EC: How often do you work on your iPhoneography? Do you spend a numerous amount of time working and reworking your photos?

AJ: I work on my iPhoneography pretty much constantly, it is what I am most serious about after my family. I consider it my work, and I am kind of a workaholic.

Forest Dwellers

EC: How has the power of social media outlets such as Twitter, Facebook, Instagram and so on helped in the way you choose to share your work with others?

AJ: It has given me a platform to share my work, especially with Instagram. Artist have always had to be good networkers, be social and put themselves out there. These outlets have made it that much easier for all of us.

Oasis

EC: Do you have any formal training regarding traditional photography?

AJ: No, I would still like to go and take some darkroom classes.

Growing Apart

EC: What types of subjects do you like to shoot?

AJ: I am happiest outside in a foggy forest where the only sounds I hear are the birds singing. There’s just something magical about being alone in nature that helps me to see how wonderful the world that we live in is. I also love shooting city images, my kids, Gabe and Pippin, and the beach is always an interesting subject.

A Place to Lose Oneself

EC: Who inspires you? Who are your artistic influences?

AJ: Nature, children’s books, and painters are major influencers. Hiking and being in nature is very inspirational. There’s no distraction, so my imagination takes hold. When I’m outside is when I think about what I want to do and reflect on what I’ve done. It’s part of who I am, it’s necessary for me to create.
I’ve been reading all of the classics to my kids. We’ve read Peter Pan, Alice in Wonderland and Through the Looking Glass, Swiss Family Robinson, and many others. Right now we are reading Journey to the Centre of the Earth. These stories are beyond the everyday world. They are all worlds of their own, and their creativity propels me.
As far as painters goes, the list is long. I am pretty obsessed with Dutch artists right now, Rembrandt’s darkness and Vermeer’s light. A few old favorites are Matisse, Kahlo, Beckmann, Dix, Franz Marc, Goya, Chagall, Dali, Picasso….I could go on forever.

The Timekeeper

EC: When you’re in a creative block what do you do to break out if it?

AJ: I don’t get many, but I don’t try to figure out how to get out of it when I get one. I just don’t worry about it, because creativity always comes back.

Wanderings

EC: What has been the some of the challenges of using the iPhone as a camera?

AJ: Low light has been the biggest challenge. Shooting in a forest is pretty dark, but luckily there are some wonderful apps out there to help out in those situations.

Once Upon a Time

EC: Has your work been published before, if so, where? Did you ever expect your work to be noticed by the mobile community?

AJ: I’ve been lucky to be published in a few publications, the French magazine, Le Nouvel Observateur, and Leveled Magazine as well as National Geographic online and KIOSK. No, I never expected it, but I feel like the community is very nurturing and caring and we all support each other which is what makes it so special.

Just a Dream

EC: What has been the most surprising or most predictable reaction from people to your iPhonographic images?

AJ: The most surprising are when people call me out on my images not being “real”. For instance, I’ve been doing a series lately with a whale out of water, flying and propelled with only a few red balloons. I think it’s pretty funny when people tell me that it is cruel to have a whale out of water and that there is NO WAY that many balloons would hold up the girth of a whale. I love comments like that. The most surprising has been finding out how many people enjoy what I do, and for that I am really grateful.

Afternoon Stroll

EC: What’s in your iPhone camera bag? What are a few of your favorite apps that you’re currently using?

AJ: I have 134 photo editing and sharing apps. I honestly didn’t know how big that number was until you asked. I also have an olloclip that I use all the time and a few other lenses and filters that I use very sparingly. My favorite apps for editing that I could not live without are Juxtaposer, Blender, Tiny Planets, and I’m loving Repix right now as well.

Shell Beach

EC: Where do you see iPhoneography/mobile photography in the future?

AJ: There are no limits. The lines are blurring as to what art is, what photography is, and our community is paving the way to show the world that we are here to be taken seriously. I know that soon we will see iPhoneography and iPhone art hanging on museum walls and selling like any other medium does.

sun worshipper

EC: Do you mind telling us how you have created a recent piece of iPhonographic work from start to finish?

A:Sure!

Step 1 This is my original image taken with my iPhone 5.

Step 2 I used PicShop to rotate and straighten the horizon a bit.

Step 3 I went to filters and used High Color just a bit to brighten everything up.

Step 4 Next I used Alt Photo, saved the image in the Daguerreotype Filter, turning the border off.

Step 5 I also saved the Tintype filter version keeping the border.

Step 6 I opened the photo in Blender and blended the two photos from Alt Photo, saving the photo and resetting Blender.

Step 7 I brought the new blended photo back and added the color version from earlier. Using mask, I painted color back into the image and saved to camera roll.

Step 8 The final app I used was Repix. I used the Charcoal brush to soften things up a bit.

Step 9 I used Freshen to brighten up the greens and to highlight the sunbeam.

Step 10 My final step was to add Stars to the image.

My final image!

Neverland

EC: What other thoughts would you like to share?

AJ: I am so happy to be part of this wonderful, creative, and caring world of iPhoneography/mobile photography. We are trendsetters, and we are making our own rules. I’m excited to see what will come next! Thank you so much, Edi for this wonderful opportunity!

Time Travel

Thank you Ali, for participating in this feature here on iPhoneogenic, our Facebook Page, Twitter, and Instagram. I’m so happy to have had the opportunity to get to know more about you and honored to have you share your work here on the blog.

For more on Ali check out these links:

Ali Jardine – Like Knows Like from Like Knows Like on Vimeo.

Flickr: http://www.flickr.com/photos/alijardine/
Twitter: https://twitter.com/alijardine
Instagram: http://instagram.com/alijardine
Word Press: http://alijardine.wordpress.com
Facebook: https://www.facebook.com/through.my.eyes.alijardine

All images shown here are copyrighted property of the artist and are published on all iPhoneogenic outlets with the consent of the artist, please contact Ali for copyright privileges.

Related Posts

Featured Artist – Tori | @tori_hm
Featured Artist – Susan Tuttle | @susantuttle
Featured Artist – Joanna Dunford | @justjo
Featured Artist – Paul Moore | @Mooro1
Featured Artist – Lynette Jackson | @LynetteJackson

Create mesmerizing and elegant artwork from your mobile photos with Distressed FX!

Distressed FX allows you to recreate the look and feel of Cheryl Tarrant’s work, who’s a fine art texture artist and the co-creator of this dazzling texture and overlay app.

Unlike most texture apps in Distressed FX all the textures and overlays are useable. They’re elegant and subtle, crafted in efforts not to overpower your original image but still enough to give you that distinct Tarrant signature style. You can also turn down the opacity to create variations of textures and overlays to develop your own distinct style within a style.

The app also allows you to adjust brightness, contrast and saturation all implemented in a user friendly interface. Another gem within the app is the blur feature which allows you to add Tilt-Shift Generator like blurs such as circular and linear blur effects. Importing and saving are a cinch. Both are located in the top left and right hand corners respectively. The texture can be accessed while the checker-board is showing and the overlays (filters) can be accessed while the Vin-diagram is showing. Scroll through each texture and overlay or combine them to create hundreds of combinations.

Sky Dancers by Edi Caves using Distressed FX

Overall, the app is a real promising tool suitable for all types mobile artists although as the developer suggests it’s particularly suited to still life and landscape photography, I beg to differ. Pick it up, at $0.99 you won’t be disappointed.

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Co-developed by world renowned mobile photographer and past featured artist, Misho Baranovic and Mark Hampton creator of the HiLo Lens, are pleased to announce their latest project, Perspective Correct. Together they are set to  give users of Perspective Correct a much needed prospective in the mobile photography space as Misho explains.

Yep, Genius Scan and Front View were the jumping off point for Perspective Correct. In using the apps we found that 2D corner dragging is often a trial and error process.  We wanted to make it easier so we developed a completely new 3D correction process. This way the photographer can see the amount of correction straight away.  We also think that there are exciting creative opportunities to be had through live perspective distortion.

before and after using Prospective Correct

Cropping has always been an issue that concerns mobile shooters when preforming prospective corrections which leads to distortion and over all image loss.  The pinch to scale feature will help in limiting corner loss, a much welcomed function users of Perspective Correct will appreciate.

The amount of image loss is dependent on the scene.  Most day to day shots only require small amounts of correction to straighten out the perspective.  You might lose anywhere between 5-10% of the photo. But yes, if you have severe distortion through dramatic angles that you will lose more.  We have worked on limiting corner loss through the ‘pinch to scale’ function on the app. This way you can reduce the preview image and retain the corners.   At this stage the crop tool is constrained to 4:3 but we’re working on adding more cropping control in future versions.

Enjoy precise, immediate control over the horizontal and vertical perspective of your photograph as it was meant to be.

…

From the press release:

Auckland, New Zealand — March 18, 2013 – Neccessory Ltd. have just launched the Perspective Correct App for iPhone – the first app to offer live perspective correction for your photos.

With a simple swipe, Perspective Correct lets you adjust your photos in 3D, giving you precise, immediate control over the horizontal and vertical perspective. It’s perfect for taking photos of architecture, real estate interiors, landscapes and more.

With live Perspective Correction you can see your adjustments straight away, helping you focus on getting the right framing and composition.

Misho Baranovic, well-known mobile photographer and the apps co-developer, says that “after struggling with a few other correction programs I realized that there had to be an easier way to fix perspective in photos. It’s incredible (and fun) to see buildings snap back into place, whole street scenes straighten themselves out and squashed rooms return to normal.”

Apart from perspective controls, the app also features advanced focus and exposure control, easy to use rotate and crop tools, adjustable grid lines and advanced JPEG compression controls for even the most discerning photographers.

Neccessory Ltd. is a tech start-up founded in 2012 by New Zealand based by Mark Hampton. Neccessory Ltd. develops innovative mobile computing accessories and apps. Perspective Correct is developed by Misho Baranovic and Mark Hampton.

Perspective Correct is available for download on the Apple App Store for US $1.99.

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Helsinki, Finland / London, UK, 14^th March 2013 11am GMT – Launched globally today is Repix, a new iOS app designed to inspire creativity in its users by offering them a selection of style brushes which are used to remix photos. Users are able to select a photo of their choice, remix it with the unique brushes and than share with the world.

Available to download for free from the App Store, Repix is aimed at iPhone and iPad users who are passionate about photos and bursting with artistic flair. When filters don’t cut it anymore, remixing photos with Repix offers users the chance to express themselves.

Remixing allows users to take multiple perspectives upon the same photo. User can take an original photo and add their own take on it creating something completely different while still leaving traces of the original photo. Like the style Andy Warhol’s works or Obama’s ‘Hope’ poster? Create new versions of the photos you love. “Repix is the perfect tool to create a photo that really stands out from the crowd,” said Ilkka Teppo, CEO and founder, Sumoing. “Repix gives people the freedom to create something special.”

Once a user has chosen a photo, the road to their masterpiece begins. With an impressive suite of style brushes, Repix offers a photo editing experience like no other; opt for example for Van Gogh from the Artistic brushes and add Lens Flares to finish. The creative possibilities of how a photo can be remixed are endless.

The key features of Repix include:

• Remix photos using impressive suite of creative brushes that let you paint photos into stunning new remixes
• Create an unique masterpiece with effect brushes like Silk, Dotter, Edger and Posterize
• Boost colors with state-of-the art color boosting brushes like Hollywood, Vintage, Bleach and more
• Paint with the realistic artistic brushes like Drips, Hatching, Daubs, Van Gogh and more
• Use light brushes such as Lens Flare, Stars, Glow Smoke and more to add excitement to photos
• Perfect creations by altering adjustments such as temperature, vignetting, vibrance and more
• Repix comes with game changing Rebeca^TM engine that seamlessly integrates the power of the CPU and GPU. This proprietary real-time processing engine enables insane performance with maximum quality and without performance loss
• Studio-grade technology alongside a slick, clean intuitive interface to inspire new levels of creativity
• Snap a shot, choose photos from camera roll or import from Facebook
• Share creations with #repix to Facebook, Twitter, Tumblr, Instagram or email to friends

Repix aims to make it easy and fun to be creative with photos. “We wanted to enable everybody to be able to create something they’d be proud to show off to friends and family,” said Teppo. “A photo is a great platform to create and Repix makes it easier to become creative.”

“With Repix, we wanted to go far beyond the normal kinds of photo editing apps”, continued Teppo. “Photo editing is an incredibly competitive market but we firmly believe we offer something totally new and different. Repix inspires creativity in people and allows them to produce something totally unique that they are proud to share with the world.”